Live & Local is happy to receive unsolicited information, but we recommend that you do your research first. So before contacting us or sending information, we request that you have read the National Rural Touring Forum (NRTF) publication Eyes Wide Open (especially if you have not been involved in community/rural touring before). You may also like to consider Associate Membership of the NRTF for additional resources, training and networking opportunities. Please read our own information for artists in 'About Live & Local' below and if you are based in the West or East Midlands you may be eligable to take advantage of our DART programme.
If you wish to be considered for inclusion in our next 'Menu' of available shows please submit an online Company & Artist Expression of Interest Form. This is all we need in the first instance and we cannot actively consider a show without a this form being submitted. Please read all the notes on our Form Guidance page before submitting this form.
Please note: Because of the amount of unsolicited information we receive about shows, we will only follow up information about shows we are considering for our Menu.
Live & Local publishes one Menu per year in late February containing performances for the following October to the following May.
Live & Local is happy to receive information from companies and artists via our online form at any time, however please note that we start to shortlist for the Menu in December each year and complete the process by mid February.
*Please note: Because of the amount of unsolicited information we receive about shows, we will only follow up information about shows we are considering for our Menu.
It is damaging to our relationship with our voluntary promoter network if we confirm a show/date, only to have it cancelled for whatever reason. Our default position is that we will not offer a show in the Menu that is relying on any funding (or co production arrangements etc) for making and/or touring a show unless that funding can be confirmed before our promoter’s request deadline in mid May.
The following applies to shows/tours that are in particular relying on an Arts Council National Lottery Project Grant:
Please note that to offer any show in our menu that is relying on ACE funding we would need to see similar creative, technical and other information (and assurances about other tour bookings) as you would have to provide for an ACE application. Therefore, we would generally want to see relevant parts of the application.
How do Companies get bookings?
Live & Local recommends companies and artists through an annual Menu published in March each year. This contains performances of all shapes and sizes, art forms and for all types of audiences. Our local promoters choose shows from this menu for the following year.
You have to be in our Menu to get bookings however this does not always guarantee performances as thereafter you have to be chosen by the local Promoters. We will either (1) reserve specific dates with you, which would be confirmed or otherwise in late May. Or (2) we would offer you as generally available and get in touch to book dates in mid/late May. Or (3) very occasionally we will commit and contract specific dates at the time of publishing the Menu.
Live & Local selects performances through recommendation and research, using information gathered from other touring schemes, our promoters, mainstream venues, showcases, other companies and by investigating unsolicited information sent to us.
If you are touring in the Midlands, please let us know. Where possible, we or our reviewers try to see shows we are considering for the Menu.
You should have the capacity to engage positively with Live & Local Promoters and their target audiences, and be able to resolve the technical, marketing and administrative challenges inherent in non-mainstream venues, and have high production values that are not compromised by performing in Live & Local venues.
Not having done this type of work before does not discount you, nor if you are a regular touring scheme performer looking to try something new. We want to hear from companies and artists new to this type of work and about new, different or challenging shows for our audiences, although its always best to talk to us early in the creative process and do your reseach (see above).
One of the main reasons we don’t select companies or particular shows is to avoid duplication in the Menu, and we always welcome applications for the following year.
What about the venues?
Their stages are rarely suitable for drama therefore we are often dealing with flat floor spaces and need to know how you would overcome the inherent sightline problems.