Postcode: PE10 9EAView Map (The Old Town Hall, PE10 9EA)
Presented by Ma Bessie & The Pigfoot Band
Performance date and time
Saturday, 25th January 2020
Take a trip back to Prohibition-era America with Ma Bessie & The Pigfoot Band. This show is an incredible time capsule and brings the very best of 20s/30s blues and jazz to the present day, focusing on the life and musical canon of the late, great Empress of Blues herself, Bessie Smith. Led by Julia Titus and her impressive vocal range, the troupe offer a potted history of sorts, chronicling the life of Bessie Smith. From a one-room shack in Blue Goose Hollow, to becoming the highest-paid black entertainer of that time, her story is told through song and music. It even follows Smith to her tragic demise in 1937 at the too-soon age of 43, giving the show a dramatic narrative arch. Titus’ warm vocals are matched by a mix of guitar and keys, as well as additional clarinet, trumpet, saxophone and drums depending on the size of show. Their songbook tracks the work of Smith with a range of classics like ‘Careless Love’, ‘Nobody Knows When You’re Down and Out’ and 'St Louis Blues’, as well as incorporating the work of contemporaries like Ella Fitzgerald, and Billie Holiday to name but a few. They are equally happy to include additional requests – an unusual treat from a group of this quality. As the performance is set around the prohibition era and beyond, every player in the group sounds and looks the part and audience members are more than welcome to join in by dressing up. Now, say it like you mean it: ‘Gimme a pig foot (and a bottle of beer)!’
★★★★★ 'It's safe to say that an evening with Ma Bessie & The Pig Foot Band proves that jazz is good for the soul.' Get Reading
90 min + interval
Main Box Office Telephone Number
Online at bournetownhall.org.uk/events
Licensed bar. Doors open at 6.30pm. Proceeds to Bourne Town Hall Restoration Fund. Limited disabled facilities, please enquire - 01778 217 030
Venue Accessibility (See Key for more information)
Live & Local affirms that when a disabled person’s access requirements necessitate them being accompanied to a performance, that person and their personal assistant should be able to purchase two tickets at a total cost of no more than the cost of a one full-priced ticket. Promoters are advised that this is best practice that is now supported by an established legal precedent.
Venue accessibility information not available.
This performance is supported by: